Overall, the sound is as rich, smooth and luxurious as any reverb I’ve heard, making it an ear-pleasing choice for a variety of applications. Having so many user parameters makes Aether a tweaker’s delight. My only disappointment is that you can’t map the controls to external MIDI devices, though they will respond to host automation. 2CAudio also sells a preset expansion pack ($25) that I recommend highly. Outstanding features include three bands of damping, a Shape parameter that adds complexity to the simulated environment and an fine collection of presets geared toward both emulating acoustic spaces and producing unusual sonic effects.
You can also make a few critical adjustments on the Browser page, which displays all presets and allows you to search them by keyword, and specify global parameters on the Info page. Within those sections, you’ll find areas to alter space, time, frequency and mix, with a navigation bar up top. With 40 parameter knobs, 30 buttons and switches, 6 pulldown menus, and 3 graphic displays, the Main page affords access to sections containing controls for early reflection, late reflection (usually called tail, with LFO modulation) and I/O parameters. Graphically, it’s almost certainly the biggest effects plug-in you’ve ever seen. The first thing you’ll notice about its GUI is its size. Introduced in 2009, Aether is a longtime favorite that focuses entirely on native, DSP-generated reverb. Four of them run native, meaning they require no hardware other than your computer, and one requires a DSP host.
#2CAUDIO AETHER BLACKHOLE MAC#
They all support most popular plug-in formats on both Mac and Windows, and all but one are algorithmic.
Convolution processing analyzes a recorded signal, deletes the original impulse while retaining the environment’s response and then applies the response characteristics to other audio signals, allowing you to reproduce the sound of a room itself.Īlthough I use more reverbs than the ones listed here, these are five favorites of late. A convolution reverb, on the other hand, begins with an impulse response (IR)-an audio sample of how an actual acoustic space responds to a fast-transient sound. Algorithmic reverbs harness a computer’s digital signal-processing (DSP) capabilities to mathematically simulate the sound of rooms, halls, cathedrals and stadiums.
#2CAUDIO AETHER BLACKHOLE SOFTWARE#
Whether software plug-ins or dedicated rackmount devices, digital reverbs come in two flavors: algorithmic and convolution. That’s one reason you’ll usually want to insert a reverb plug-in on an aux bus that’s shared by numerous tracks, rather than inserting a separate plug-in on each track, which could overload your CPU if you add too many. Unfortunately, the number crunching needed to digitally generate lifelike reverb is a reasonably heavy load for even the latest, fastest computers. You can also use it for effects that other audio processors would be hard-pressed to duplicate, making it an indispensible tool for sound design. 1.In music production, reverb is most often applied to a track or a mix to create a sense of space. We'll be sharing all the best Black Friday plugin deals throughout the event. With the Black Friday music deals incoming, it could be worth holding out until the end of November to pick up a bargain. Right, with that said and our octet of space race contenders heading for the starting line, let’s get going. So, as well as Altiverb 7 (our pick of the convolution bunch - as it should be, given the price), be sure to check out the likes of LiquidSonics’ Reverberate, Waves’ IR-1 and AudioThing’s Fog Convolver, too. Only one convolution entrant features in our line-up here, but that’s just a reflection of the reverb plugin marketplace, which is balanced overwhelmingly towards the algorithmic, rather than the quality of convolution reverbs in general. Broadly speaking, convolution is the one to reach for when physical realism and dynamic sensitivity are the goals - putting an orchestra in a concert hall, say, or a singer on a stage - while algorithmic reverbs offer more adaptability and ‘spectacle’, making them more appropriate for dance, electronic, rock and pop production (although those aren’t hard and fast rules, of course).
0 kommentar(er)
